CHANEL
DIOR
CHANEL
DIOR
CHANEL
DIOR
For the CHANEL Fall-Winter 2024/25 Ready-to-Wear collection, directed by Inez & Vinoodh, I worked on retouching and compositing to refine the final look of the film. From cleanup to seamless enhancements, my work helped bring each frame to life while maintaining the director’s vision.
For the Dior Cruise 2025 campaign, I worked on retouching and compositing to bring Pietro Ruffo’s artistic vision to life. Enhancing the underwater-inspired visuals, my work refined every detail of the Lady Dior My ABCDior Bag, ensuring a seamless and polished final result.
For the CHANEL Cruise 2022/23 collection, directed by Sofia and Roman Coppola, I worked on retouching and compositing to refine the cinematic look. From cleanup to seamless enhancements, my work helped polish the dynamic summer scenes while staying true to the film’s vision.
For the Dior and Otani Workshop capsule collection, I worked on retouching and compositing to refine the blue background, ensuring a smooth and polished look. My work helped enhance the bold red tones and maintain the artistic vision created by Otani Studio and Kim Jones.
For the CHANEL 2021/22 Métiers d’Art collection, directed by Dimitri Chamblas, I worked on retouching and compositing to refine the final look of the film. Focused on enhancing textures and movement, my work ensured a seamless finish while maintaining the director’s vision.
For the J’adore Music Box campaign, I worked on retouching and compositing to refine the intricate details of the visuals. From smoothing elements to enhancing the final look, my work helped bring the elegance of Versailles to life while ensuring a seamless result.
CHANEL
DIOR
CHANEL
DIOR
CHANEL
DIOR
For the CHANEL Fall-Winter 2024/25 Ready-to-Wear collection, directed by Inez & Vinoodh, I worked on retouching and compositing to refine the final look of the film. From cleanup to seamless enhancements, my work helped bring each frame to life while maintaining the director’s vision.
For the Dior Cruise 2025 campaign, I worked on retouching and compositing to refine the underwater-inspired visuals. From smoothing details to enhancing the final look, my work helped bring Pietro Ruffo’s artistic vision to life while ensuring a seamless result.
For the CHANEL Cruise 2022/23 collection, directed by Sofia and Roman Coppola, I worked on retouching and compositing to refine the cinematic look. From cleanup to seamless enhancements, my work helped polish the dynamic summer scenes while staying true to the film’s vision.
For the Dior and Otani Workshop capsule collection, I worked on retouching and compositing to refine the blue background, ensuring a smooth and polished look. My work helped enhance the bold red tones and maintain the artistic vision created by Otani Studio and Kim Jones.
For the CHANEL 2021/22 Métiers d’Art collection, directed by Dimitri Chamblas, I worked on retouching and compositing to refine the final look of the film. Focused on enhancing textures and movement, my work ensured a seamless finish while maintaining the director’s vision.
For the J’adore Music Box campaign, I worked on retouching and compositing to refine the intricate details of the visuals. From smoothing elements to enhancing the final look, my work helped bring the elegance of Versailles to life while ensuring a seamless result.
